TORONTO — Rian Johnson premiered the third film in his whodunit series, "Wake Up Dead Man: A Knives Out Mystery," to a raucous crowd at the Toronto International Film Festival on Saturday night, marking the latest high-profile debut at the Princess of Wales Theatre.

Like the first two films in the franchise, Johnson brought an extensive cast to the TIFF premiere. The film, which returns Daniel Craig as detective Benoit Blanc, has drawn attention for its larger-than-life ensemble and a tone that observers say is darker and more intricate than its predecessors. The story centers on a murder tied to a local church and threads themes of truth, lies and grace through its mystery, while preserving the quips and pop-culture asides — including references to "Star Wars" and "Scooby Doo" — that characterized the earlier entries.

The cast features a mix of established stars and newer faces. Daniel Craig reprises his role as the Southern-accented sleuth Benoit Blanc. Josh O’Connor plays a young priest named Jud Duplenticy, Josh Brolin appears as a monsignor, and Glenn Close portrays a devout parishioner. The ensemble also includes Mila Kunis, Jeremy Renner, Daryl McCormack and Andrew Scott.

Johnson, who noted that Toronto has been the site of the first-weekend premieres for his prior two mysteries, called TIFF "my favorite place to be in the world." The festival appearance continued a pattern of the filmmaker using high-profile festival launches to showcase the franchise’s evolving tone and casting ambitions.

Audience reaction at the Princess of Wales Theatre underscored the film’s status as one of the festival’s most sought-after screenings. The premiere drew a large, star-heavy crowd and was widely described as the hottest ticket of the festival weekend, reflecting sustained public interest in the franchise that began with "Knives Out" and continued with "Glass Onion."

Critics and observers at the screening noted that while the film maintains the puzzle-driven plotting and sly humor that have been hallmarks of the series, it leans into more existential questions than earlier installments. The murder investigation’s connection to the church setting framed those questions around faith and deception, prompting discussion about how the franchise balances entertainment with deeper thematic material.

Festival premieres often shape early expectations for awards season and box-office performance, and Johnson’s return to the Toronto stage reinforced the ongoing cultural prominence of the "Knives Out" series. Organizers and attendees said the film’s lively reception further cemented TIFF’s role as a major launchpad for commercially minded, star-driven filmmaking.

Further distribution plans and release dates for "Wake Up Dead Man: A Knives Out Mystery" were not disclosed at the premiere.