New 'Sense and Sensibility' Adaptation Criticized for Modernizing Austen's Nuances

The latest screen adaptation of Jane Austen's "Sense and Sensibility," released 215 years after the novel's publication, has drawn criticism for altering the story's 18th-century subtleties to resonate with a modern audience. The film, directed by Georgia Oakley and written by Diana Reid, is noted for its visual appeal and strong performances but is seen by some as losing the "ineffable nuance" characteristic of Austen's narratives.

Critic Brian Viner, in a review for the Daily Mail, suggests that adapting a love story defined by restraint and civility for a "smartphone era" presents significant challenges. He argues that the burgeoning feelings between Elinor Dashwood, played by Daisy Edgar-Jones, and Edward Ferrers, portrayed by George MacKay, are too overtly expressed, undermining the potential for later misunderstandings. This contrasts with the more passionate and visible displays of emotion shown by Elinor's sister Marianne (Esme Creed-Miles) towards the roguish John Willoughby (Frank Dillane).

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The review points to specific plot points that are difficult to reconcile with a modern sensibility, such as Edward's prolonged engagement to Lucy Steele. The reviewer questions whether such a commitment would endure in contemporary times, even with honorable intentions.

Further casting choices also drew comment, notably the decision to cast Norwegian actor Herbert Nordrum as the quintessentially English character Colonel Brandon. While Nordrum is described as looking and dressing the part, his slight Scandinavian accent is deemed incongruous.

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Despite these criticisms, the adaptation is acknowledged for its strengths. Edgar-Jones is praised for embodying Elinor's serenity, and Creed-Miles is noted for her tempestuous portrayal of Marianne. Fiona Shaw's performance as the vulgar Mrs. Jennings also stands out, though it is compared unfavorably to Elizabeth Spriggs's acclaimed performance in the 1995 film.

The 1995 Ang Lee adaptation and a 2008 BBC television version are cited as superior in various aspects. For instance, the inclusion of a duel between Willoughby and Brandon in the new film is seen as unnecessary compared to earlier adaptations.

Cinematographer Arnaud Potier's work is commended for creating visually stunning interior shots reminiscent of Old Masters paintings. The review concludes by acknowledging the enduring popularity of Jane Austen adaptations, with another interpretation of "Pride And Prejudice" slated for release, suggesting that while preferences vary, Austen's works continue to be a draw for filmmakers and audiences alike.