HBO's new five-part docuseries, 'Monsters of God,' directed by Eric Goode, examines the illicit trade of exotic reptiles, a practice that began in the 1960s and saw its peak in the following decades. Goode, also known for "Tiger King" and "Chimp Crazy," focuses on the compelling, often controversial personalities involved in this underground market, as well as the ecological and ethical ramifications of their activities.
The series' first episode introduces key figures in the exotic reptile trade, notably Hank Molt and Tom Crutchfield. Molt, described as a pioneer, founded the Philadelphia Reptile Exchange newsletter in 1966, which served as a price list for reptiles he acquired globally. Crutchfield, inspired by Molt's newsletter, eventually started his own. Despite their long acquaintance, the relationship between Molt and Crutchfield is fraught with animosity, with Crutchfield reportedly calling Molt "a sorry excuse for a human being."
Shifting Trade Dynamics
Following the enactment of the Endangered Species Act in 1973, individuals like Molt had to adapt their methods. The series highlights an investigation by the U.S. Fish and Wildlife Service in the mid-1970s, which was transitioning from enforcing hunting permits to tackling illegal animal smuggling. This investigation ultimately led to Molt's conviction and the ruin of his business, paving the way for Crutchfield's operations to flourish, particularly as zoos began to cease purchasing from Molt.
'Monsters of God', like Goode's previous docuseries, centers on the captivating personalities at the heart of the exotic animal trade. The narrative weaves together the ambition, narcissism, and moral ambiguity of collectors and dealers with the broader impacts on wildlife. The series does not shy away from the darker aspects of the trade, including instances of animal cruelty and the lengths to which individuals would go to traffic rare species.
One anecdote detailed in the first episode involves an associate of Molt's burying a car full of illegal reptiles alive in a panicked attempt to conceal their illegal transport, only for federal agents to discover the deceased animals. The series also touches upon the escalation of the trade, with later episodes expected to explore the involvement of drug cartels.
Despite the often reprehensible actions of its subjects, the series manages to draw viewers in through the sheer force of the personalities involved. Goode's direction aims to elicit a complex reaction, showcasing the subjects' self-importance while also hinting at the personal costs of their choices, such as Molt being seen eating alone in a diner.
Investigators from the U.S. Fish and Wildlife Service are also featured, offering a contrast to the handlers and dealers with a more grounded, yet still engaging, perspective on the illegal animal trade. The series is slated to continue exploring the history of this trade and its unsavory characters in subsequent episodes.