The recently released Netflix film 'The Last House' is drawing criticism for its convoluted narrative and perceived waste of its talented cast, including Wagner Moura and Greta Lee.
The film, described as a high-concept sci-fi thriller, centers on a family confined to their home by an unexplained phenomenon. The premise, which draws comparisons to 'A Quiet Place,' involves a mysterious rainstorm that seals the family inside their house, cutting off all communication. The family, led by Jason (Moura) and Ann (Lee), must then contend with dwindling resources and the psychological toll of their isolation.
Reviewers have pointed to a screenplay issues, including a slow build-up and plot points that strain credulity. Early scenes depict Jason returning home to financial troubles and a house with structural issues, shortly before a severe storm hits. This is followed by the internet and cell service failing, and eventually, the family discovering they cannot open their doors or windows. The film introduces a 'glue-rain' element, which reviewers note is handled with a lack of explanation or consistent logic.
As days turn into weeks, the family begins rationing food and attempting to maintain a semblance of normalcy by creating makeshift decorations and studying. A neighbor's plight is mentioned, but details are scarce. The narrative progression is further criticized for its pacing, with a significant amount of time passing before even basic observations, such as the family dog's accidents, are acknowledged.
Director Louis Leterrier, known for larger-scale projects like 'Fast X' and 'The Incredible Hulk,' helms 'The Last House.' Despite the pedigree of its director and stars, the film's execution has been called into question, with critics suggesting the actors were made to appear "silly" due to the material. The film's tone is noted to shift erratically between family dramedy and grimness, leading to "hysterical performances" that are described as grating and unearned.
A significant time jump occurs approximately five years into the story, revealing the house in a state of disrepair and the family adapting to the outside threats. However, this shift is presented as a way to reach a conclusion rather than to provide a coherent explanation for the events that transpired. The overall assessment from critics is that the film fails to effectively build suspense or deliver a compelling narrative, ultimately being labeled a "frustrating mess" and a "dud."