Chappell Roan is heading to Queens for a four-night Forest Hills Stadium engagement as part of her Visions of Damsels & Other Dangerous Things tour. The run runs from Sept. 20 to Sept. 24, with a rotating lineup of openers: Japanese Breakfast on Sept. 20 and Sept. 24, and hemlocke springs on Sept. 21 and Sept. 23. As of now, last-minute tickets remain available for the 13,000-seat venue, with the lowest price found for any single show at $285 including fees on Vivid Seats. Other dates price out roughly between $307 and $339, also including fees.
Roan, a 27-year-old Missouri native, last headlined at Ireland’s Electric Picnic on Aug. 29. According to Set List FM, her festival set featured 14 songs, including hits such as “Hot To Go,” “Pink Pony Club” and “Good Luck, Babe,” along with the singles released this year, “The Giver” and “The Subway.” The Irish Examiner praised the performance, noting the audience energy and suggesting Roan deserved headline status at the festival.
Following Forest Hills, Roan has a pair of October shows at Kansas City’s Liberty Memorial (Oct. 3–4) and Pasadena’s Brookside Golf Club (Oct. 10–11). She told fans on Instagram she loves these three cities and wanted to do something special before taking time to write the next album. A complete calendar of tour dates, venues and ticket options is available in the Chappell Roan tour dates listing linked by the New York Post’s coverage.
In terms of material, Roan has been rolling out new music alongside her live performances. She released “The Giver” on March 13, a country-tinged track built around a fiddle-forward intro and a fiery pre-chorus, followed by the moody, anthemic single “The Subway,” which she debuted at Governors Ball in 2024. The production team, including Dan Nigro, has been described as blending late-’80s and early-’90s alt-pop sensibilities with Roan’s signature storytelling. Critics have framed the sound as a bridge between nostalgia and contemporary pop bravado, with Roan’s vocal intensity driving the intensity of the live show.
The visual dimension of Roan’s work has also expanded. Her cinematic video for “The Subway,” directed by Amber Grace Johnson, uses a New York City–tinged narrative full of wigs, trains and surreal vignettes that culminate in a climactic party aboard a subway car and a final moment at Washington Square Park. The video’s artful approach complements the music’s dramatic dynamics, reinforcing Roan’s reputation as a performer who blends humor, heartache and high-energy arrangements on stage.
As Roan continues to tour, industry observers will watch how the Forest Hills quartet shapes the trajectory of her current album cycle, with after-hours performances and festival appearances continuing to elevate her profile on both sides of the Atlantic.