Comedian Catherine Cohen is bringing her solo show, "Broad Strokes," to the Lucille Lortel Theatre, transforming a frightening personal experience into an off-Broadway comedy. The show, which opened Monday, centers on Cohen's surreal journey after suffering a stroke at the age of 30, a medical event typically associated with individuals decades older.
Cohen, now 35, recounts the stroke's onset, which occurred in 2021 as she was preparing to travel. While watching reality television, she experienced a sudden inability to move her arm. The stroke was later attributed to an undetected congenital heart defect.
"Broad Strokes" is structured as a musical, featuring seven original songs co-written with David Dabbon. The musical numbers explore themes such as a desire for universal approval, the anxieties of modern life, and the unique challenges of navigating a health crisis as a young adult. Critics have noted the score's catchy melodies and genre variety, with songs like "Are You Mad At Me?" and "Normal Girl" highlighting Cohen's neuroses and aspirations.
The show's narrative juxtaposes Cohen's ambition to be the central figure in her own life with a desire to avoid dramatic turmoil. The set design by Derek McLane contributes to this atmosphere, blending gothic and sleepover aesthetics. The production is directed by Alex Timbers, known for his work on "Moulin Rouge!" and "The Pee-wee Herman Show."
Cohen, also known for her podcast "Seek Treatment" with Pat Regan and her touring stand-up act, had previously developed "Broad Strokes" in a different form at the Edinburgh Fringe Festival. The show is noted for its sharp wit, inventive language, and unflinching look at shared anxieties, particularly those amplified by contemporary digital culture, such as receiving medical results via text.
Despite the serious nature of its subject matter, "Broad Strokes" has been lauded for its comedic execution and Cohen's unique performance style, which defies easy categorization and leaves audiences with a sense of her uncompromising individuality.