The BBC drama "Ludwig," now in its second series, is facing criticism for its unique approach to murder mysteries, which one reviewer describes as a "ridiculously twee whodunnit" blending "Hammer Horror meets Miss Marple." The show, starring David Mitchell as a crossword-setting sleuth, frames each case as a variety of brainteaser, akin to a chess problem or a spot-the-difference puzzle.
Last week's episode saw Mitchell's character declare, "This is absolutely ridiculous!" a sentiment echoed by viewers who find the show's premise increasingly outlandish. The amateur detective, often seen in a corduroy jacket, investigates crimes that, in a recent case, involved a local Member of Parliament suspected of human sacrifices for eternal life.
David Mitchell's portrayal of the crime consultant is noted for its familiar bumbling and self-aware awkwardness, similar to his previous role in "Peep Show." However, critics argue that the character's presence often overshadows the police, with detectives seemingly unable to proceed without his intervention.
Pacing and Genre Blending Issues
The show's reliance on an amateur sleuth to solve crimes, even in the "cosy crime" genre, requires believable character psychology, according to critics. However, "Ludwig" is described as a "mish-mash of genres that don't quite gel." A subplot involving political corruption and high-ranking officials is deemed more suited to a show like "Line Of Duty" than a lighthearted mystery.
Despite these criticisms, the supporting cast is credited with helping to anchor the production. Mark Bonnar, as local newspaper editor Gareth Fisher, is highlighted as a "crime show stalwart" whose scenes provide stability. Guest stars, such as Gary Beadle and Michelle Greenidge in recent episodes, are seen as adding a much-needed splash of vibrancy to a show that otherwise struggles to connect with its audience.