Two threads were found broken on the Bayeux Tapestry following its transport from France to the British Museum in London, France's culture minister revealed. The artifact, described as incredibly fragile, is on loan for its first exhibition in Britain in nearly 1,000 years.

Despite the damage, Catherine Pegard, the French culture minister, stated on Friday that the tapestry is "more or less" in the same condition as when it departed Bayeux. "A break of two threads over a length of 70 metres of a tapestry was reported," Pegard told French broadcaster RTL. "It was examined with particular care. It took a lot of time because the experts went over it centimetre by centimetre."

The tapestry arrived in London in July for a landmark exhibition at the British Museum, which is set to open to the public next week and run until July of the following year. La Croix newspaper had previously reported that initial expert checks confirmed "no major damage," noting only "slight tears in two areas" of the linen canvas.

The loan of the 68-meter (224-foot) embroidered artwork is considered a significant moment in Anglo-French relations, following years of negotiations. It is believed to be the first time the tapestry has left France since its creation, and the first time it has been moved in over 40 years. The artwork depicts the Norman invasion of England in 1066 and the Battle of Hastings. It is widely believed to have been made in England before being transferred to Bayeux, France.

King Charles III and French President Emmanuel Macron visited the tapestry this week during Macron's visit to Britain. The King remarked that the tapestry serves as a powerful reminder of the enduring ties between the two countries, noting its complex origins likely involving both Norman commission and English craftsmanship.

Transport and Security

The medieval artwork's transfer to London was a meticulously planned operation. It was transported in a climate-controlled case, the size of a small car, housed within a shock-absorbing cradle. This unit was then placed inside a truck that traveled from France via a Channel Tunnel shuttle train. The journey, which included an 11-hour, 350-mile police escort, concluded with the truck backing into a museum loading bay where workers carefully unloaded the container. The Metropolitan Police and Kent Police were involved in transporting the embroidery from Folkestone to London.

The medieval artwork was spirited into the British Museum in the dead of night, after a high-tech, tight-security operation

The British government has agreed to provide insurance coverage for the tapestry, estimated at £800 million, in case of major damage. The complex move was preceded by extensive testing, including two trips with a full-scale reproduction of the tapestry, to ensure the protection of the fragile fabric. The transfer was funded by Britain and represents over a year of planning and technical studies.

The British Museum anticipates that more than one million visitors will attend the exhibition, potentially making it the institution's most successful blockbuster to date. The loan agreement, announced during President Macron's state visit to Britain in July 2025, includes a reciprocal arrangement for the UK to send treasures, such as objects from the Sutton Hoo burial site, to France.

The landmark exhibition, which opens to the public next week, marks a major moment in Anglo-French relations and follows years of negotiations over bringing the extraordinarily fragile artwork across the Channel

The diplomatic efforts to secure the tapestry spanned decades and faced complications from Brexit, the COVID-19 pandemic, and concerns regarding the risks associated with moving such an ancient and delicate object. The British Museum has been contacted for comment.