The Unseen Struggle: Why High-Street Stores Fail Women with Larger Feet
A personal account highlights the persistent challenge of finding fashionable footwear in sizes beyond a UK 7, and the economic and design reasons behind it.
For many women, finding shoes that fit and flatter is a given. For those with feet larger than a UK size 7, it remains a significant and often demoralizing challenge. This disparity, rooted in historical ideals and modern manufacturing costs, leaves countless women compromising on comfort and style, or facing limited, unappealing options.
The issue is not a new one. Decades ago, the author, like many others, experienced the difficulty of finding school shoes that fit, often settling for aesthetically unappealing pairs. As adult autonomy grew, the temptation to squeeze into smaller, more fashionable shoes led to years of discomfort, including blisters, sores, and numbness. This experience is echoed by public figures like Elle Macpherson and Kate Winslet, who have also expressed dissatisfaction with their larger shoe sizes.
The problem persists even in adulthood. A surge in relaxin hormone during pregnancy can cause feet to flatten and grow, rendering previously owned shoes unusable. While some might consider drastic measures like foot surgery, the more immediate reality for many is the continued struggle to find stylish options.
Despite anecdotal evidence suggesting that feet are indeed getting larger and wider—a 2014 poll by the College of Podiatry indicated a rise in average shoe size in Britain due to increasing height and weight—most high-street retailers cease stocking women's shoes beyond a UK size 7 (EU 41). Online shopping offers some relief, but the selection for larger sizes often remains limited.
Laura Schofield, founder of Otto + Ivy, a brand specializing in larger shoe sizes, explains the underlying economic factors. "The short answer is it costs more to create larger sizes," she states. Larger sizes require more materials, incur higher shipping costs, and may necessitate specialized manufacturing tools or molds. Retailers, aiming to price all sizes equally, avoid these increased production costs for larger sizes to maintain competitiveness with their more popular, smaller sizes.
Beyond cost, the design of larger shoes presents its own set of challenges. Schofield notes that many women with larger feet are self-conscious, and creating flattering designs is an art form. High heels, often used to make feet appear smaller, can be impractical for many. A low heel can look disproportionately different on a size 11 foot compared to a size 5 foot, requiring careful attention to proportions and the use of design techniques like paneling, additional seams, and embellishments to ensure a flattering appearance.
Sizing discrepancies further complicate the issue. The disparity between UK, EU, and US sizing systems becomes more pronounced with larger sizes. European sizes increase by 6.66 mm per increment, while UK and US sizes increase by 8.46 mm. This difference can lead to significant variations, making online shoe shopping a potential minefield for those with larger feet.
Many brands also engage in a practice of downshifting sizes to appear more inclusive. For example, a UK size 8 might be labeled as a EU 41 by some brands, while others, like Marks & Spencer and Clarks, maintain the more accurate EU 42 equivalent. Options become drastically limited once a size reaches EU 44.
Despite these challenges, brands like Otto + Ivy, Cinderella Shoes, Stuart Weitzman, and Sole Bliss cater to larger sizes, offering styles that aim to flatter and fit. For women who have long endured discomfort, discovering brands that prioritize their needs can be a revelation, offering the long-sought "holy grail" of comfortable and stylish footwear. The advent of such brands encourages a shift away from feeling abnormal and towards embracing well-fitting shoes.