The Smithsonian Institution is facing criticism for exhibits that critics claim promote progressive ideology and misrepresent American history. Concerns have been raised about displays at the American History Museum, specifically an exhibit on "Entertainment Nation" that allegedly links Mickey Mouse to blackface minstrelsy, a practice associated with the demeaning of African Americans.
Smithsonian Museum Director Anthea Hartig stated in congressional testimony that the museum does not consider Mickey Mouse a racist symbol, but critics maintain this interpretation is indicative of a broader trend within the institution. The Museums as a Site for Social Action (MASS Action) Toolkit, which the Smithsonian has approved as a reference, is also cited by critics for promoting concepts such as "politeness" and "objectivity" as elements of White supremacist culture. The museum director has stated that the institution does not utilize this toolkit.
Furthermore, the National Museum of African American History and Culture is criticized for its integration of "The 1619 Project," which contends that slavery, rather than freedom, is central to American identity. Critics have described "The 1619 Project" as historically distorted. The museum also reportedly features exhibits on figures such as Angela Davis and Stokely Carmichael, while only including Supreme Court Justice Clarence Thomas after significant public outcry.
These developments have drawn the attention of political figures. Former President Donald Trump ordered a review of the Smithsonian's content in relation to the United States' 250th birthday. Texas Republican Rep. Brandon Gill and his colleagues have held congressional hearings to examine the Smithsonian's narrative of American history.
Critics argue that this shift towards what they describe as a "woke toxin" reflects a broader trend of progressive ideology influencing educational and cultural institutions. They point to similar concerns at historical sites like Monticello and Montpelier, which they claim have become "propaganda centers for leftist messaging." This perspective suggests a systematic denigration of American history, transforming its narrative from one of celebration to one of condemnation. Historian Arthur Schlesinger Jr. is quoted by critics warning against repudiating historical inheritance, which could lead to the "fragmentation of the national community into... cultural and linguistic apartheid."