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The Express Gazette
Wednesday, September 30, 2026

John Cusack Clarifies Role in ‘The Breakfast Club’ Rumors

The actor revealed that while director John Hughes once considered him for a part, it ultimately didn't materialize.

US Politics • 2 hours ago
John Cusack Clarifies Role in ‘The Breakfast Club’ Rumors

Actor John Cusack has addressed persistent rumors regarding his potential involvement in John Hughes' iconic 1985 film, "The Breakfast Club." Speaking on the "Happy Sad Confused" podcast, Cusack clarified that while director John Hughes may have briefly considered him for the role of John Bender, the part ultimately went to Judd Nelson.

"No, I think there was one time at one point where I think he thought he wanted me to do it and I think I would I would have done it," Cusack told host Josh Horowitz. "I thought it was a cool script, but it didn't go that way." Nelson starred as Bender alongside Anthony Michael Hall, Molly Ringwald, Ally Sheedy, and Emilio Estevez.

Cusack did, however, feature in another of Hughes' notable teen films, playing Bryce in "Sixteen Candles" in 1984, which also starred Ringwald and Hall.

Reflecting on his early career and the pressures of fame, Cusack stated that his parents, including his actor father Dick Cusack, helped keep him grounded. "He was always about like, what's the script, what's the part, what's this thing saying, right?" Cusack recalled of his father's advice.

"I hadn't done anything, so I was never going to buy the hype or anything. I wanted to work with great people and do great movies, but I knew I hadn't done anything yet," he added, explaining that he did not take the trappings of being a teen idol seriously.

Cusack's filmography includes a range of well-regarded movies such as "Stand By Me," "Con Air," "Being John Malkovich," "High Fidelity," and "2012." John Cusack and Iben Hjejle stand together in a scene from High Fidelity.

He expressed a current sentiment that while international cinema is producing many strong films, American cinema has become less vibrant. Cusack contrasted his experience working on "Say Anything" in 1989 with current industry values, noting that the producer then focused on artistic merit rather than solely on maximizing profit or immediate audience connection.


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