Hugh Jackman's 'The Death of Robin Hood' Offers a Dark Reimagining of the Folk Hero

Michael Sarnoski, director of "Pig" and "A Quiet Place: Day One," offers a stark departure from the traditional Robin Hood narrative in his latest film, "The Death of Robin Hood," now available on HBO Max. This adaptation casts Hugh Jackman as a brutal outlaw driven by pain and regret, presenting a subversion of the classic folk hero.

A Grim Tale of Violence and Revenge

The film, set in 1247 AD, reimagines Robin Hood not as a virtuous hero, but as a remorseless killer. Jackman's portrayal is that of a physically and emotionally scarred man, haunted by the violence he has inflicted. The narrative centers on Robin's entanglement in a cycle of revenge after he has killed numerous individuals, making him the target of those seeking retribution.

He reunites with his old associate, Little John (Bill Skarsgård), who is desperate to rescue his wife and daughter from captors wronged by their past actions. The ensuing events depict a brutal medieval landscape filled with extreme violence and suffering. Following a particularly violent encounter that leaves Robin gravely injured, he is taken to a priory on an island to recover. Posing as a man named Randolph, he finds a measure of peace and anonymity under the care of Sister Brigid (Jodie Comer) and a mysterious bandaged man known as The Leper (Murray Bartlett). During his recovery, Robin reflects on his past transgressions.

However, his period of contemplation is interrupted by the arrival of Little John's daughter, Margaret, and a young man who has lost an eye, signaling that Robin's past is catching up to him.

A Different Kind of Western

Comparisons have been drawn to films like "The Northman" and Clint Eastwood's "Unforgiven," suggesting a blend of historical brutality and a deconstruction of violent archetypes. Jackman delivers a performance described as intense and brooding, reminiscent of his role in "Logan."

The film's tone is somber, with a deliberate, slow pace that emphasizes Jackman's introspective performance and the rugged, windswept setting. Cinematographer Pat Scola's work contributes to the film's gloomy atmosphere, creating an absorbing and contemplative viewing experience. While Comer's role is described as somewhat thankless, her quiet scenes with Jackman explore the complexities of their characters' unusual friendship.

"The Death of Robin Hood" is noted for its unflinching depiction of violence, particularly in its early scenes, but it ultimately prioritizes thematic depth over a purely visceral payoff. The film delves into the nature of cruelty, the futility of violence, and the elusive quest for redemption and forgiveness. It challenges conventional narrative expectations, leaving audiences to ponder the human condition and its inherent absolutes.