Alexandra Shulman's Notebook: Reflections on Loss, Reunion, and the Role of Artists
The columnist shares personal anecdotes alongside observations on AI, music, and societal expectations.
Alexandra Shulman has received what she describes as clear messages from her deceased mother, indicating a desire for her jewelry not to be worn by her family. Shulman noted that the pieces held no significant financial value, yet she and her siblings were hesitant to discard them. She recounts receiving a bracelet and her mother's watch, only for both to subsequently break or be lost. After a period of searching, the watch reappeared but ceased working, and the bracelet later snapped, scattering its stones.
Shulman also reflects on the profound distress of losing a child, drawing from a personal experience where her son briefly went missing in St. Peter's Basilica in Rome. She describes the terror of the moment and the overwhelming relief upon his safe return. This reflection is framed by the news of a child, Noah Wood, whose body was found in a local pond, prompting deep empathy for his grieving family.
In other personal reflections, Shulman discusses the unique experience of seeing her now-adult son, Sam, attend an Oasis concert. While the reunion concert was a memorable event, she notes that subsequent announcements of further tours by the band, featuring the same lineup, diminish the perceived singularity of that initial reunion.
Shulman further touches upon the increasing expectation for artists to express political views, citing Ed Sheeran's tour and the controversy surrounding his support act's pro-Palestinian statements. She expresses a preference for performers to keep their political opinions private, stating that concertgoers primarily attend to enjoy the music.
The columnist observes a notable display of respect from technology leaders towards King Charles III at a recent AI summit in Scotland. She notes that individuals typically known for casual attire, such as the founders of Google DeepMind and Nvidia's CEO, were dressed in suits and ties for the occasion.
Finally, Shulman comments on Jemima Goldsmith's recent wedding attire, describing her transparent Oscar de la Renta dress as both