Andrew Lloyd Webber and Tim Rice's "Jesus Christ Superstar" continues to resonate as a significant work of musical theater, with its recent revival at the London Palladium featuring Sam Ryder in the title role. Ryder, known for his 2022 Eurovision performance, brings a unique energy to the character, though critics note his performance is uneven.
A Musical Powerhouse
The production emphasizes the powerful, progressive rock-influenced score of "Jesus Christ Superstar." Lloyd Webber's music, originally showcased by Deep Purple's Ian Gillan, is delivered with significant volume, shifting from dark opening chords to jazz syncopations, explosive drumming, and wailing guitar solos, punctuated by ballads and frenetic numbers. The musical is characterized by its inventive songs rather than a consistently driving narrative, with characters taking turns in the spotlight. Ryder's portrayal of Jesus is described as gentle and initially meek, with his more impactful vocal moments, including a "Whitesnake"-esque delivery in "Gethsemane," coming later in the performance. Critics noted a lack of sustained emotional depth in his mid-range delivery.
Standout Performances and Design
The production, directed by Timothy Sheader, is noted for its pageantry, though some character motivations can appear unclear. Tyrone Huntley reprises his Olivier Award-winning role as Judas, offering a forceful and thoughtful performance as a materialist political agitator. The most acclaimed performance comes from Desmonda Cathabel as Mary Magdalene, whose voice is praised for its emotional tenderness and clarity, particularly in her rendition of "I Don't Know How To Love Him." Bob Harms provides a notable vocal contrast as Caiaphas with a deep, sepulchral bass.
Jesse Tyler Ferguson, known for "Modern Family," makes a comedic appearance as King Herod, delivering a mocking cabaret number. Other notable performers set to appear in the role include Richard Armitage, Boy George, Layton Williams, and Julian Clary.
Tom Scutt's stage design contributes to a rock-gig atmosphere, featuring a grungy scaffolding rig and lighting that casts a parched orange glow on terracotta togas. Drew McOnie's choreography is described as "hippyish." A small crowd of spectators is part of the stage design, witnessing the events from ringside pens.
Tickets for the production range from a significant saving of £25 for some dates to a top price of £395 at the Palladium. The musical originally debuted in 1970, with Yvonne Elliman's version of "I Don't Know How To Love Him" peaking at No. 47 on the charts in 1972.